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Showing posts with label <b>Robert Creeley</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Robert Creeley</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Monday, August 25, 2014</span></h2>

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<b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 250%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://www.poets.org/poetsorg/poet/robert-creeley"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Robert</span></a>
<a href="http://www.poetryfoundation.org/bio/robert-creeley"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Creeley</span></a></span></b></div>
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University of Helsinki<br />
February, 1989</span></div>
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(<a href="http://media.sas.upenn.edu/pennsound/authors/Creeley/Creeley-Robert_Helsinki_part1_1989.mp3"><span style="color: red;">part one</span></a>) (<a href="http://media.sas.upenn.edu/pennsound/authors/Creeley/Creeley-Robert_Helsinki_part2_1989.mp3"><span style="color: red;">part two</span></a>)</span></b></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2014/08/14_25.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2014-08-25T00:00:00-04:00'>Monday, August 25, 2014</abbr></a>
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<h2 class='date-header'><span>Tuesday, August 19, 2014</span></h2>

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Lectures on <a href="http://www.poetryfoundation.org/bio/emily-dickinson"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Emily</span></a>
<a href="http://en.wikipedia.org/wiki/Emily_Dickinson"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Dickinson</span></a><br />
<br />
by<br />
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<a href="http://en.wikipedia.org/wiki/Robert_Creeley"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Robert</span></a>
<a href="http://epc.buffalo.edu/authors/creeley/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Creeley</span></a><br />
<br />
</span></b><b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">(</span></b><b style="mso-bidi-font-weight: normal;"><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%;"><a href="http://media.sas.upenn.edu/pennsound/authors/Creeley/New-College-1985/Creeley-Robert_01_Lecture-On-Emily-Dickinson_New-College_9-20-85.mp3"><span style="color: red;">one</span></a></span></b><b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">) <span style="mso-spacerun: yes;">&nbsp;</span>(</span></b><b style="mso-bidi-font-weight: normal;"><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%;"><a href="http://media.sas.upenn.edu/pennsound/authors/Creeley/New-College-1985/Creeley-Robert_02_Lecture-On-Emily-Dickinson_New-College_9-23-85.mp3"><span style="color: red;">two</span></a></span></b><b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">) <span style="mso-spacerun: yes;">&nbsp;</span>(</span></b><b style="mso-bidi-font-weight: normal;"><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%;"><a href="http://media.sas.upenn.edu/pennsound/authors/Creeley/New-College-1985/Creeley-Robert_03_Lecture-On-Emily-Dickinson_New-College_9-25-85.mp3"><span style="color: red;">three</span></a></span></b><b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 242;">)</span></b></div>
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<br />
September 1985</span></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2014/08/14_19.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2014-08-19T00:00:00-04:00'>Tuesday, August 19, 2014</abbr></a>
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<h2 class='date-header'><span>Friday, July 25, 2014</span></h2>

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<a href="http://en.wikipedia.org/wiki/Robert_Creeley"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Creeley</span></a><br />
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2014/07/14_25.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2014-07-25T00:00:00-04:00'>Friday, July 25, 2014</abbr></a>
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<h2 class='date-header'><span>Wednesday, March 13, 2013</span></h2>

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<p class=MsoNormal align=center style='text-align:center;line-height:200%'><a href="http://thisrecording.com/storage/henry11-4-6.jpg"><span style='font-size: 14.0pt;line-height:200%;font-family:"Arial","sans-serif";color:black; mso-themecolor:text1;mso-no-proof:yes;text-decoration:none;text-underline:none'><img border="0" height="318" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/nmPu0PZ90gnESW6wEBha9Mbrjl-2Sweyld3o47KBwyl_-Gh5Df1Z0YwWw-oo5Zs6QeLGPnDVaFprw_npv1GWAVupxYY%3Ds0-d" width="290"></span></a><span style='font-size:14.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><span style='mso-spacerun:yes'> </span></span><span style='font-size:14.0pt; line-height:200%;font-family:"Arial","sans-serif";color:black;mso-themecolor: text1;mso-no-proof:yes'><span style='mso-spacerun:yes'> </span></span><a href="http://www.poetryfoundation.org/harriet/wp-content/uploads/2012/06/6-14-12_Zukofsky1.jpg"><span style='font-size:14.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:black;mso-themecolor:text1;mso-no-proof:yes;text-decoration:none; text-underline:none'><img border="0" height="318" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/iS3h0d_09cHMdoBi5SJFNOcZBHavNIz3e_TxeMxN_2-GWLFHFvjOmguWkSK3-M3PjQUkJkhdJycFBFQ-KjB6zrIWWuTFYk1wH7EUHWC_EciDQIkwfjp2RuKtHjIJmBVcME8zQ5fi_XqMPdeR%3Ds0-d" width="313"></span></a><span style='font-size:14.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><o:p></o:p></span></p><p class=MsoNormal align=center style='text-align:center;line-height:200%'><span style='font-size:14.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://epc.buffalo.edu/authors/creeley/"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Robert</span></a> <a href="http://www.writing.upenn.edu/pennsound/x/Creeley.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Creeley</span></a> &amp; <a href="http://www.z-site.net/"><span style='color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Louis</span></a> <a href="http://writing.upenn.edu/pennsound/x/Zukofsky.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Zukofsky</span></a><br> </span><span style='font-size:14.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:red'><a href="http://media.sas.upenn.edu/pennsound/authors/Zukofsky/Zukofsky-Louis_Creeley-Conversation_1961.mp3"><span style='color:red'>having a chat</span></a></span><span style='font-size:14.0pt; line-height:200%;font-family:"Arial","sans-serif";color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'><br> in 1961<o:p></o:p></span></p><p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style: normal'><span style='font-size:8.0pt;line-height:115%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>(<span class=GramE>being</span> a link to the recording<br> on the <a href="http://writing.upenn.edu/pennsound/x/Zukofsky.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>PennSound Zukofsky page</span></a>)<o:p></o:p></span></i></p>
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<p class=MsoNormal align=center style='text-align:center;line-height:150%'><a href="http://upload.wikimedia.org/wikipedia/commons/a/a3/Creeley.jpg"><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"; color:black;mso-themecolor:text1;mso-no-proof:yes;text-decoration:none; text-underline:none'><img border="0" height="374" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/hMZYxTsw5MJJaExBadxyxV4iQcTyzeHmaWKI33tK4HQLfnO_9fK1jK6YVxGvfkkPU5zeoF2wg9puno2SAtRmNcB3sEiVIcA2BvDxd3jm6WOpvA%3Ds0-d" width="484"></span></a><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><o:p></o:p></span></p>  <p class=MsoNormal align=center style='text-align:center;line-height:150%'><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="https://diva.sfsu.edu/bundles/191203/49821/contents/59150"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Robert Creeley</span></a><br> One of his best readings<br> At the <a href="https://diva.sfsu.edu/collections/poetrycenter/bundles/191203"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>SF State Poetry Center<br> July 16, 1959</span></a><o:p></o:p></span></p>  <p class=MsoNormal align=center style='text-align:center;line-height:150%'><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;line-height: 150%;font-family:"Arial","sans-serif";color:#0D0D0D;mso-themecolor:text1; mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Thanks to <a href="https://www.facebook.com/maxine.chernoff"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Maxine Chernoff</span></a> for pointing this out</span></i><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;line-height:150%;font-family:"Arial","sans-serif"'><br style='mso-special-character:line-break'> <!--[if !supportLineBreakNewLine]--><br style='mso-special-character:line-break'> <!--[endif]--><o:p></o:p></span></i></p>
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<h2 class='date-header'><span>Saturday, August 13, 2011</span></h2>

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<h2 class='date-header'><span>Sunday, July 24, 2011</span></h2>

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<p class=MsoNormal align=center style='margin-bottom:0in;margin-bottom:.0001pt; text-align:center;line-height:normal'><a href=http://poetrycenter.arizona.edu/><span style='font-size:12.0pt;font-family: "Times New Roman","serif";mso-fareast-font-family:"Times New Roman";mso-no-proof: yes'><img alt="Description: http://poetrycenter.arizona.edu/images/banner/static-banner-bottom50.jpg" border="0" height="94" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/JZQKkEvbUiIUoflmqeCm-tjDNNrwjGSlkQX8krUN2SdDHDbXkiZMAdMVska3-i2m3BYDG6x3rxLPPZd9zGDkbeOQLU72cZdJyBKd1GPFq6-xiDxphFfC28_zBW4%3Ds0-d" v:shapes="Picture_x0020_3" width="546"></span><!--[endif]--></a><span style='font-size: 12.0pt;font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"'><o:p></o:p></span></p>
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<table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width=748  style='width:561.0pt;mso-cellspacing:0in;background:white;mso-yfti-tbllook:  1184;mso-padding-alt:0in 0in 0in 0in'>  <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'>   <td style='padding:0in 0in 0in 0in'>   <p class=MsoNormal style='margin-bottom:0in;margin-bottom:.0001pt;line-height:   normal'><span style='font-size:12.0pt;font-family:"Times New Roman","serif";   mso-fareast-font-family:"Times New Roman"'><o:p>&nbsp;</o:p></span></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><span style='font-size:18.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>Recommendations from our Audio Video Library<o:p></o:p></span></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><b><span style='font-size:14.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>Robert   Creeley<br>   </span></b><b><span style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:   "Times New Roman";mso-bidi-font-family:"Times New Roman"'>December 4, 1963</span></b><b><span   style='font-size:14.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'><o:p></o:p></span></b></p>   <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><!--[if gte vml 1]><v:shape    id="Picture_x0020_6" o:spid="_x0000_s1026" type="#_x0000_t75" alt="Description: http://poetry.arizona.edu/sites/poetry.arizona.edu/files/images/AVL-promo-creeley-logo.jpg"    href="http://poetry.arizona.edu/sites/poetry.arizona.edu/files/images/AVL-promo-creeley-logo.jpg"    style='position:absolute;margin-left:0;margin-top:0;width:267.75pt;height:117.75pt;    z-index:251658240;visibility:visible;mso-wrap-style:square;    mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:4.5pt;    mso-wrap-distance-top:0;mso-wrap-distance-right:4.5pt;    mso-wrap-distance-bottom:0;mso-position-horizontal:left;    mso-position-horizontal-relative:text;mso-position-vertical:absolute;    mso-position-vertical-relative:line;mso-width-percent:0;    mso-height-percent:0;mso-width-relative:page;mso-height-relative:page'    o:allowoverlap="f" o:button="t">    <v:imagedata src="Recommendations%20from%20our%20Audio%20Video%20Library_files/image004.jpg"     o:title="AVL-promo-creeley-logo"/>    <w:wrap type="square" anchory="line"/>   </v:shape><![endif]--><!--[if !vml]--><a   href="http://poetry.arizona.edu/sites/poetry.arizona.edu/files/images/AVL-promo-creeley-logo.jpg"><img align="left" alt="Description: http://poetry.arizona.edu/sites/poetry.arizona.edu/files/images/AVL-promo-creeley-logo.jpg" border="0" height="157" hspace="6" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/alLERAhHG-SuMLUi1XK4mlHlrTa_QCoLpcdGTJQ79EJQ-jJuF_2WwKSjbx9yLThzkBktYPKL-7F0WjiHmdMqxdHijjI0LNziDfSvxQYRfw2uNwT6Q_tZ-1MW7DQu3FQIPuDre-KM-_0JztlgFRU%3Ds0-d" title="" v:shapes="Picture_x0020_6" width="357"></a><!--[endif]--><span style='mso-bidi-font-size:   10.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:   "Times New Roman"'>Robert Creeley&#8217;s 1963 appearance in Tucson for the Poetry   Center&#8217;s Fall reading series is our earliest recorded reading. In it, the   legendary poet reads from&nbsp;<i>For Love</i>,&nbsp;<i>The Gold Diggers</i>,   and&nbsp;<i>Words</i>. Listen to Creeley&#8217;s performance of &#8220;I Know a Man&#8221; for   the poet&#8217;s fascinating commentary on the meaning of this, arguably his most   famous poem.<o:p></o:p></span></p>   <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span   style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'><o:p>&nbsp;</o:p></span></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><i style='mso-bidi-font-style:normal'><span   style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'><o:p>&nbsp;</o:p></span></i></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><b style='mso-bidi-font-weight:normal'><i   style='mso-bidi-font-style:normal'><span style='mso-bidi-font-size:10.0pt;   line-height:115%;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:   "Times New Roman"'><a href="http://avl.arizona.edu/index.php?reading_id=323"><span   style='color:windowtext'>::Listen to the reading::</span></a></span></i></b><span   style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'><o:p></o:p></span></p>   <p class=MsoNormal align=center style='margin-bottom:0in;margin-bottom:.0001pt;   text-align:center'><span style='mso-bidi-font-size:10.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";   mso-bidi-font-weight:bold'>We also recommend:</span><span style='mso-bidi-font-size:   10.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:   "Times New Roman"'><o:p></o:p></span></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><b style='mso-bidi-font-weight:normal'><span   style='font-size:14.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'>Robert Creeley<br>   </span></b><b style='mso-bidi-font-weight:normal'><span style='font-size:   12.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:   "Times New Roman"'>December 4, 2002</span></b><b style='mso-bidi-font-weight:   normal'><span style='font-size:14.0pt;line-height:115%;mso-fareast-font-family:   "Times New Roman";mso-bidi-font-family:"Times New Roman"'><o:p></o:p></span></b></p>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;margin-bottom:   12.0pt;text-align:center'><span style='mso-bidi-font-size:10.0pt;line-height:   115%;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>Robert   Creeley returns to the Poetry Center, <br>   39 years to the day after his 1963 reading, <br>   to read from his recently published Chax Press chapbook, <i>Yesterdays</i>.<br>   </span><span style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:   "Times New Roman";mso-bidi-font-family:"Times New Roman"'><br>   </span><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:   normal'><span style='mso-bidi-font-size:10.0pt;line-height:115%;mso-fareast-font-family:   "Times New Roman";mso-bidi-font-family:"Times New Roman"'><a   href="http://avl.arizona.edu/index.php?reading_id=324"><span   style='color:windowtext'>::Listen to the reading::</span></a></span></i></b><span   style='font-size:12.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:"Times New Roman"'><o:p></o:p></span></p>   <div class=MsoNormal align=center style='margin-bottom:0in;margin-bottom:   .0001pt;text-align:center'><span style='font-size:12.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>   <hr size=2 width="100%" align=center>   </span></div>   <p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:   auto;text-align:center'><span style='font-size:8.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>*Photograph   by <span class=SpellE>LaVerne</span> Harrell Clark<o:p></o:p></span></p>   <div class=MsoNormal align=center style='margin-bottom:0in;margin-bottom:   .0001pt;text-align:center'><span style='font-size:8.0pt;line-height:115%;   mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"'>   <hr size=2 width="100%" align=center>   </span></div>   <p class=MsoNormal style='margin-bottom:0in;margin-bottom:.0001pt'><span   style='font-size:8.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman";   mso-bidi-font-family:Arial'>The Poetry Center's Audio Video Library features   recordings from the Center's long-running Reading Series and other readings   presented under the auspices of the Center. The AVL includes multiple   recordings of poets who have read for the Poetry Center numerous times over   the years. Many of these recordings are accompanied by photographs from our   archive. As we continue to digitize our recordings, these materials as well   as new readings will be added to the AVL, so make sure you continue to visit   us at <a href="http://avl.arizona.edu"><span style='color:windowtext'>http://avl.arizona.edu</span></a>.   </span><span style='mso-bidi-font-size:10.0pt;line-height:115%;mso-fareast-font-family:   "Times New Roman";mso-bidi-font-family:Arial'><o:p></o:p></span></p>   </td>  </tr> </table>
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<p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt: auto;text-align:center;line-height:normal'><a href="http://poetrycenter.arizona.edu/ua_horz_logosm.gif"><span style='font-size:12.0pt;font-family:"Times New Roman","serif";mso-fareast-font-family: "Times New Roman";color:windowtext;mso-no-proof:yes;text-decoration:none; text-underline:none'><img alt="Description: University of Arizona" border="0" height="37" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/CQM7IBaFNM7YkxyUb06E7TT-oNdTl8scPlaVmI1CloZ0XdF6sQIhm_wbHbfrOXpJkoZw7Yjuo6LKPLYPQ1j2YUBjDM9y2Q%3Ds0-d" v:shapes="Picture_x0020_2" width="125"></span><!--[endif]--></a><a href="http://poetrycenter.arizona.edu/COHLOGOblack.gif"><span style='font-size: 12.0pt;font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman"; color:windowtext;mso-no-proof:yes;text-decoration:none;text-underline:none'><img alt="Description: University of Arizona College of Humanities" border="0" height="34" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/6DmAE-w4xUUaPEMEWEHLDikimg-J8iMODVupPLKsEUBn_shgmRs5DOWjjVli1bH-fD0CbVDYSkqkaysCg1KLdOHPU8s%3Ds0-d" v:shapes="Picture_x0020_1" width="86"></span><!--[endif]--></a><span style='font-size:12.0pt;font-family:"Times New Roman","serif";mso-fareast-font-family: "Times New Roman"'><o:p></o:p></span></p>
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<h2 class='date-header'><span>Thursday, July 24, 2008</span></h2>

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<p class=MsoNormal style='margin-bottom:12.0pt'><img height="336" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/6BOY1f4YoGCysH5akWaZG6dOyXCobUSfGMfv4VGDBM7_dAZMA7YThAU6s8AC0YFBlCtBGZl0-xzC3-LzlIou0Opm7yA_VSqFFTCiGlLMrk4bJ42v_q8qHA%3Ds0-d" width="255"></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;text-indent:.8in'><span style='font-size:10.0pt;font-family:Verdana'>The city of </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana'> is filled with <span class=SpellE>frogheaded</span> flies and British policemen. The other day I saw the corpse of Emily Dickinson floating up the </span><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Charles River</span></st1:place><span style='font-size:10.0pt;font-family:Verdana'>.<o:p></o:p></span></p>
<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;text-indent:.8in'><span style='font-size:10.0pt;font-family:Verdana'>Sweet God, it is lonely to be dead. Sweet Good, is there any God to worship? Sweet God, you stand in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana'> like a public statue. Sweet God, is there any God to swear love by? Or love </span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana'> it is lonely, is lonely, is lonely to be lonely in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana'>.<o:p></o:p></span></p>
<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in;text-align:justify;text-indent:.8in'><span style='font-size:10.0pt;font-family:Verdana'>Now Emily Dickinson is floating down the </span><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Charles River</span></st1:place><span style='font-size:10.0pt;font-family:Verdana'> like an Indian Princess. Now naked savages are climbing out of all the graveyards. Now the Holy Ghost drips <span class=SpellE>birdshit</span> on the nose of God. Now the whole thing stops. Sweet God, poetry hates </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Verdana'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana'>.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This 1956 poem by Jack Spicer, which first appeared in <i style='mso-bidi-font-style:normal'><a href="http://www.durationpress.com/thepoker/"><span style='color:black'>The Poker</span></a>, </i>no. 5, in the winter of 2005, is taking on something of a promiscuous history. It appears in the current issue of <i style='mso-bidi-font-style:normal'><a href="http://www.massreview.org/"><span style='color:black'>The Massachusetts Review</span></a>, </i>devoted to GLBT writing, and is reprinted, with credit to the <i style='mso-bidi-font-style:normal'>Mass Review, </i>in the current edition of <i style='mso-bidi-font-style:normal'><a href="http://harpers.org/subjects/JackSpicer"><span style='color:black'>Harpers</span></a></i> (subscription definitely required). Both, being </span><st1:place><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>School</span></st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>Quietude</span> </st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> haunts, fail to credit <i style='mso-bidi-font-style:normal'>The Poker.<o:p></o:p></i></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One can only imagine what Jack Spicer would have made of an appearance in <span class=GramE><i style='mso-bidi-font-style:normal'>Harpers, </i></span><i style='mso-bidi-font-style:normal'> </i>at least once he&#8217;d stopped puking his guts out. The cosmic joke at the heart of <i style='mso-bidi-font-style:normal'>Book of Magazine Verse, </i>the volume that was in press when Spicer died at the age of 40 in 1965, is that none of the magazines for which this diffident, supremely geo-centric author &#8220;wrote&#8221; his poems would ever have deigned to print them. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Not only did Spicer proleptically assume automatic rejection by <i style='mso-bidi-font-style:normal'>The St. Louis Sporting News </i>(now just <i style='mso-bidi-font-style:normal'>The Sporting News</i>) and <i style='mso-bidi-font-style:normal'>Down Beat, </i>two publications that didn&#8217;t (and still don&#8217;t) normally print poetry, but also by <i style='mso-bidi-font-style:normal'>Ramparts, </i>the SF-based Catholic theological journal that, in the 1960s, transformed itself into a radical antiwar publication (<i style='mso-bidi-font-style:normal'>Mother Jones </i>is a pretty direct descendent of <i style='mso-bidi-font-style:normal'>Ramparts</i>), <i style='mso-bidi-font-style:normal'>Poetry </i>&#8211; which by 1965 was regularly publishing Louis Zukofsky, Charles Olson, Robert Creeley &amp;, most pointedly from Spicer&#8217;s perspective, Robert Duncan &#8211; and <i style='mso-bidi-font-style:normal'>The Nation </i>(whose poetry editor at the time, Denise Levertov, Spicer despised as she did him&#185;), but even an emergent post-avant mimeo rag such as Vancouver&#8217;s <span class=SpellE><i style='mso-bidi-font-style:normal'>Tish</i></span><i style='mso-bidi-font-style:normal'> </i>and the apparently non-existent <i style='mso-bidi-font-style:normal'>Vancouver Festival. </i><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Spicer was very protective of his outsider status. He would allow his mimeo magazine <i style='mso-bidi-font-style:normal'>J </i>to be distributed as far east as </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Berkeley</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>, but no further. To discover that you had sent a contributor&#8217;s copy to </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> or </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> was to be banned from its pages forever after. While he did live &amp; work in both </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Boston</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> &amp; </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Minneapolis</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> for short periods, the poem above is pretty typical for the respect which Spicer showed them. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>In the past several months, tho, works by Spicer have turned up in both <i style='mso-bidi-font-style:normal'>Poetry </i>and <i style='mso-bidi-font-style:normal'>The Nation, </i>part of the run-up to the publication <span class=GramE>next<span style='mso-spacerun:yes'>&#160; </span>month</span> of <i style='mso-bidi-font-style:normal'><a href="http://www.dartmouth.edu/~upne/0-8195-6887-2.html"><span style='color:black'>My Vocabulary Did This To Me: The Collected Poetry of Jack Spicer</span></a>, </i>edited by Kevin Killian and Peter Gizzi. Having seen the manuscript at different stages of editing, I can say without hesitation that this is one of the great books of the 20<sup>th</sup> <i style='mso-bidi-font-style:normal'>and </i>of the 21<sup>st</sup> centuries. Gizzi &amp; Killian have done
a tremendous job. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Still, it is very strange to see Jack Spicer&#8217;s poetry turn up in places where it never would have done so in his own lifetime.&#178; <o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Today&#8217;s <i style='mso-bidi-font-style:normal'>Philadelphia Inquirer </i>has a feature on the city&#8217;s Car Share program entitled &#8211; in 80-point type on the front of the Magazine section of the paper &#8211; &#8220;<a href="http://www.philly.com/inquirer/magazine/20080724_Drive__they_said.html"><span style='color:black'>Drive, They Said</span></a>.&#8221; Is this the largest print in which an allusion to <a href="http://www.diacenter.org/prg/poetry/87_88/creeley2.html"><span style='color:black'>Robert Creeley</span></a> has ever appeared? And who at the <i style='mso-bidi-font-style:normal'>Inky </i>besides editor John <span class=SpellE>Timpane</span> &amp; book reviewer Carlin Romano will even recognize it as such?<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial'>&#185; Spicer appears to have seen her as a homophobic bluenose, an enemy of poetry. She seems to have seen him as a racist alcoholic. The fact that, in the mid-1960s, she was still something of an acolyte of Robert Duncan&#8217;s certainly did not help. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial'>&#178; I believe Spicer did send his poems both to <i style='mso-bidi-font-style:normal'>Poetry </i>and <i style='mso-bidi-font-style:normal'>The Nation, </i>both of which, true to his expectations, rejected them. <o:p></o:p></span></p>
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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>Brent Cunningham&#8217;s <i style='mso-bidi-font-style:normal'>Interview with Robert Creeley </i>is just the fifth volume of Hooke&#8217;s Books, but it&#8217;s been a doozy of a run thus far, with volumes by Norma Cole, Lauren <span 
class=SpellE>Shufran</span>, Kevin Killian &amp; Laura Moriarty. This is the third book in a row from this press that I&#8217;ve reviewed here, not because I know Cunningham at all well &#8211; basically he&#8217;s been the affable &#8220;tall one&#8221; at Small Press Distribution for the past several years, tho he did give me a lift from there one time &#8211; but because the projects he does are so distinct, such as Norma Cole&#8217;s meditation on Tom <span class=SpellE>Raworth</span> as a <span class=SpellE><i style='mso-bidi-font-style:normal'>collagiste</i></span>, a selection of Kevin Killian&#8217;s wondrous Amazon reviews, and now a literal interview with Robert Creeley done in May of 1998, when Cunningham was finishing up a masters (in poetics?) at SUNY Buffalo &amp; talking an independent study with Bob.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>This book is a fascinating object, tho not the first fine press publication of an interview with Creeley. Tho Cunningham says he had no particular eye toward publication at the time he conducted the interview, Creeley had to have known that this would appear in print at some point. He&#8217;s brutally frank about some poets &amp; some of his colleagues at <st1:City w:st="on"><st1:place w:st="on">Buffalo</st1:place></st1:City>. He talks in great detail about the circumstances of Olson&#8217;s childhood &amp; what made the working class kid from Worcester such an outsider at Harvard. And Creeley discusses why the environs of <st1:City w:st="on">Amherst</st1:City>, <st1:State w:st="on">Massachusetts</st1:State>, should have become ground zero for the <st1:place w:st="on"><st1:PlaceType w:st="on">School</st1:PlaceType> of <st1:PlaceName w:st="on">Quietude</st1:PlaceName></st1:place> when such unquiet folk as <span class=GramE>himself</span> &amp; Emily D could hale from the region as well. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>But what I found most amazing here was simple presence of <span class=SpellE>Creeley&#8217;s</span> voice, transcribed. If ever you need a one-volume demonstration of <i style='mso-bidi-font-style:normal'>why </i>an oral interview later set into print is superior, by far, to one conducted by correspondence or email, this is your book. More than most authors, maybe more than any, Robert Creeley knew how to pattern his prose <i style='mso-bidi-font-style:normal'>and </i>his verse to replicate the patterns of his speech. That, in one sentence, was the kernel of Projective Verse and no one did it better than the author whom Olson most often pointed to as evidence for this theory in the first place. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>But &#8211; as Jack Kerouac demonstrates in great detail in <i style='mso-bidi-font-style:normal'>Visions of Cody </i>when he gives you both a transcription of a tape and an &#8220;imitation&#8221; thereof, truly visions of code &#8211; speech, as such, is never the same as its representation. Creeley transcribed is never the same as Creeley crafted. And I&#8217;m not devaluing the latter when I argue that there is a place for the former that none of the texts by themselves can offer. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>Yes, Creeley has the New Englander&#8217;s locution, which is built around reticence. But it&#8217;s much more than an accent, nor even &#8220;just&#8221; <span class=GramE>a syntax</span>. Creeley works very hard to avoid putting people, objects or situations into received categories. This he often accomplishes by talking around the category, rather than employing its premises. He examines Olson&#8217;s background, a Swedish Catholic only child in a community of Swedes who mostly were Lutheran, immigrants who came to work in a factory while his dad instead ended up at the post office, an island of newcomers in this deeply &#8220;native&#8221; place invested in its role in creating the American revolution, and yet sufficiently insecure so that the goal of its aesthetics was to out-Brit the Brits, a pathological project that lingers to this day in an even more debased form. Creeley talks about stalking Robert Silliman <span class=SpellE>Hillyer</span> into a bar while at Harvard in order to peak into his notebook only to realize that alcoholic sonneteer was reduced to scribbling random squiggles, not even letters or words, so that people would think he was still writing. (When he got sober, <span class=SpellE>Hillyer</span> would become one of the arch-reactionaries of late forties verse, actively campaigning to have the works of Pound banned). <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>Anyone who has ever spent time with Creeley will know what I mean about the distinctness of his speech. This book is the first such instance of it that I&#8217;ve come across in the not quite three years since his death. As such, it&#8217;s a great gift for anyone who has missed not just the poetry, but the person as well. <o:p></o:p></span></p>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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